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As a result, we have partial support for RAW files and varying degrees of post-processing headroom in different software tools. Given the fact that camera manufactures do not seem to give a damn about this issue, we have a pretty big problem with post-processing software developers digging into RAW files, reverse-engineering some of the proprietary data and extracting what they need. In short, there is no good option today to deal with all the RAW formats.

I stopped converting RAW files to DNG format a while ago for these and other reasons, as explained in this article. Adobe’s DNG format might sound like a solution, but it is not fully supported by all post-processing software, it takes time to convert images and it is known to strip out some of the proprietary EXIF data that is embedded by the camera. In addition, TIFF files take up too much space, making them impractical when dealing with thousands of images. And let’s not forget that most operating systems cannot read RAW files either, making it difficult to even see what is in an image folder without using a third party tool…Ĭonverting RAW files to TIFF format is not an option, because TIFF files are flat, which means that the editing headroom is already pretty shallow.

Having been frustrated with Lightroom’s poor handling of RAW images in the past, I have been looking for an alternative way to convert images, but none of the methods seem to offer a solid solution. The same with DxO Optics Pro, which has zero support for some RAW file formats such as Fuji’s X-Trans.Ĭonsidering that Lightroom, Capture One and DxO are the most popular post-processing tools on the market today, it is frustrating to see how poorly they support RAW images from some of the most popular cameras on the market.

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And when I went back and tried to import some of my photos from 2016, I discovered that Capture One 10 Pro does not support a number of RAW file formats, including pixel-shift RAW files from the Pentax K-1. Frustrated with the outcome, I decided to give Capture One 10 Pro a try, only to discover that Capture One does not even support files from the GFX 50S. Lightroom is eating up 15 GB of RAM and 20% of the CPU during the image preview generation process and it still has approximately 30% to go, which is another day! I have attempted to stop and restart the process, rebooted my machine and nothing seems to be helping – Lightroom is simply inefficient when working with the Fuji GFX 50S files, even on a high-end desktop machine. I was wrong – it has been two days now and Lightroom is still struggling with the process. I started the preview generation process before going to bed and thought that by the time I wake up the next morning, the previews would be ready. The images were imported pretty quickly, but since I knew that I would most likely want to look at the image detail of some images, I thought it would be a good idea to generate 1:1 previews in Lightroom.

After arriving home, I started the image culling process using FastRawViewer and once I deleted a bunch of images, I started the image import process. First of all, my laptop struggled so much with post-processing images in Lightroom, that I gave up and decided to do everything on my high-end desktop. I just came back from a two-week trip to Israel and for the past few days, I have been struggling with the several thousand RAW images from the Fujifilm GFX 50S that I used during the trip. Photoshop, Lightroom, Capture One Pro and FastRawViewer running on the same machine It is time for camera manufacturers to come up with a single universal RAW format that can be easily supported by all post-processing software and we as consumers need to push camera manufacturers to adopt this format.

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Despite the fact that some post-processing software tools as Adobe Lightroom and Capture One provide frequent updates to support new cameras, it is getting practically impossible to provide full support for every new camera and RAW format features. Although camera manufacturers have been bundling their own image converters, such tools are often underdeveloped, buggy and lack the necessary features to be able to rely on them for post-processing images. With so many new cameras being released each year that allow capturing images in RAW format using different compression levels, bit-rates and other proprietary data, it is becoming increasingly difficult for post-processing software to keep up with all the changes and provide full support for RAW formats.